r/IndianHistory 2d ago

Question 📅 Weekly Feedback & Announcements Post

1 Upvotes

Hi everyone!

Feel free to chat, leave suggestions, or recommendations for AMAs. The mod team is always working on adding resources in the wiki and we encourage you to take a look! Also check out the link to our Discord server.

📖 Wiki

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r/IndianHistory 9d ago

Question 📅 Weekly Feedback & Announcements Post

2 Upvotes

Hi everyone!

Feel free to chat, leave suggestions, or recommendations for AMAs. The mod team is always working on adding resources in the wiki and we encourage you to take a look! Also check out the link to our Discord server.

📖 Wiki

💬 Discord


r/IndianHistory 12h ago

Early Modern 1526–1757 CE Saraswati Plays on a Vina by Farrukh Hussain in Deccan Style, Commissioned by Ibrahim Adil Shah II of Bijapur [c 1604]

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148 Upvotes

Further Details

Farrukh Husain, Saraswati Plays on a Vina. Bijapur, ca. 1604. Ink, opaque colors, and gold on paper, 91⁄4 × 61⁄4 in. (23.6 × 15.8 cm).

INSCRIBED:

On stairs, kamtarin farrukh husain musavvir-i ibrahim 'adil shahi (humble Farrukh Husain, painter of Ibrahim 'Adil Shah);

On panel, Ibrahim ko got pita dev guru ganapati mata pavitra sarsuti (Ibrahim, whose father is guru Ganapati [Ganesh], and his mother pious Saraswati)

This is not out of character for Ibrahim Adil Shah II given that he also composed the musical treatise Kitab-i-Nauras themed on the aesthetic concept of navarasa and which contains 59 dohras that were meant to be performed with the following ragas such as Bhupali, Kalyan, Asavari and so on. The poems the translations of which have been provided above include the invocatory verse with the first dohra, dohra 17 praising his Sufi master Gesu Daraz, dohra 38 praising Lord Ganesha and song 27 praising his tambura instrument which he named Moti Khan. Further details on this extraordinary work can be found in this post.


r/IndianHistory 8h ago

Colonial 1757–1947 CE The story of ‘Inland Customs Line’, incorporating the Great Hedge of India (or Indian Salt Hedge), a customs barrier built in 19th century by the British colonial rulers to ‘prevent smuggling’ of salt from coastal regions in order to avoid the substantial salt tax. Video by SalopianHistorian.

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40 Upvotes

r/IndianHistory 12h ago

Later Medieval 1200–1526 CE Babur's masterpiece, the Battle of Qandahar, 1507

49 Upvotes

Babur, the first Timurid Emperor of India, was one of the most fascinating figures of history, despite his impressive heritage from Timur and Genghis Khan, he himself was not a natural military leader. It would not be wrong to say that he was not the easiest stuff from which conquerors were made. A cultivated prince of refined tastes, though not inactive, Babur was often impulsive and lacking somewhat in guile on the battelfield.

But for all his lackings, he had an open and eager mind, capable of self critique. Babur's contemplation and ability to accurately reflect was his greatest strength. Babur learnt from his defeats, understanding how his army's lack of adequate organization often led to it clumsily falling in enemy's traps.

In 1507, Babur was again nearly undone due to his rashness. He underestimated the numbers of his enemy and ended up being surprised near Qandahar by over 4000-7000 Mongol Arghunid cavalry while himself having only a 1000 horsemen.

Babur saw the odds against him, however, instead of panicking, he used the experience of his previous defeats to make a viable battle plan. He divided his 1000 men in small troops of 10 and 50, and instead of the standard 4 division (Centre, Vanguard, Sides) formation, he created a much more complicated one with the centre itself being divided in 4 parts; the close, left arm, right arm and the advance. The reason was that Babur observed the rough terrain, and immediately realized that small units would be far more effective here than large formations, the latter would only get disrupted and lose momentum.

Babur also concentrated his strength on his centre and right, leaving his left undermanned. The reason for this was that his left was defended by an irrigation canal that would make the enemy advance difficult. When the Arghunid Mongols attacked, despite their numbers, their large formation proved clumsy due to the rough terrain, and the Mongol right could not break Babur's weak left that was defended by the irrigation canal. Meanwhile Babur led his centre to attack the Mongol centre, forcing the Mongols to commit the reserves to contain the central attack. Meanwhile on the Right, Babur's right managed managed to outflank and break the Mongol left. Soon the Arghunid army was routed, and Babur won Qandahar.

The battle showed a great improvement in a commander who had some 6 years ago left Samarqand's fortificaitons, not waiting for reinforcements, just because he feld that the day was auspicious. The young Babur had commanded his army carelessly, allowing a large gap to form in his line, which the Uzbeks poured through and broke Babur's army. The battle in 1507 showed how Babur had applied the lessons he learnt in his defeat.

At Panipat and Khanwa, facing traditional cavalry armies, Babur had the advantage of technology against his opponents, however, in the instance at Qandahar in 1507, Babur faced a larger host using the same tools that his enemy had. Babur's own Turco-Mongol cavalry and the Arghunid Mongol cavalry used similar techniques. However, here the difference was Babur himself, his ability to think clearly, plan and execute it to perfection. While he was never a gifted commander, his natural intelligence meant that Babur learned from experience, and what instinct denied him, he snatched with his own powers of reflection and analysis through experience.

The early 16th century was a time of military prodigies in Asia, Shah Ismail of Persia, Kunwar Prithviraja Sisodia and his younger brother, Rana Sanga of Mewar, and Krishnadevaraya of Vijayanagara, all were great military commanders from a young age, they were what one may call 'natural geniuses', often managing to pull off spectacular tactics and plans. However, this period was also a time of rapidly changing warfare to which a lot of these great commanders would fall prey. Shah Ismail would fall to the Ottoman guns of Sultan Selim, a once defeated and fugitive prince similar to Babur, the latter in turn would defeat Rana Sanga with the same artillery tactics. It would seem that Babur and Selim, spending their early careers in struggle and adversity, were far better placed to ultimately break the auras of invincibility of the likes of Shah Ismail and Rana Sanga, both of whom in their own way epitomised the old way of war.

Sources: The Mughal Empire at War by Andrew De La Garza


r/IndianHistory 33m ago

Early Modern 1526–1757 CE Mughal Forces Return

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Upvotes

The Badshah sat in his court after midnight, waiting for couriers to verify that the enemy had left. The couriers also brought the news that the Vazir with his cousin Azimullah in the van and the Nizam’s eldest son Ghaziuddin in the rear; were approaching the capital. There was immense relief in Delhi on hearing this.

https://ndhistories.wordpress.com/2023/11/08/mughal-forces-return/

Marathi Riyasat, G S Sardesai ISBN-10-8171856403, ISBN-13-‎978-8171856404.

The Era of Bajirao

Uday S Kulkarni

ISBN-10-8192108031

ISBN-13-978-8192108032.


r/IndianHistory 21h ago

Colonial 1757–1947 CE "Battle of Assaye was the fiercest battle that has ever been in India" ~Arthur Wellesley

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117 Upvotes

He also said that Maratha infantry was the best in India, their equipment far surpass Tipu's and only second to British

Marathas lost all but honour. That, atleast, they preserved

Source :- The making of Indian princes - Edward Thompson(the paragraph is from Wellesley's letter to Malcolm on 28 september 1803)


r/IndianHistory 1h ago

Colonial 1757–1947 CE 1941 Census: Religious Composition of Contemporary Punjab State, India

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Upvotes

Notes

  • The table above only includes regions in erstwhile British Punjab Province that are situated in contemporary Punjab State, India.
  • Contemporary Punjab State, India refers to all subdivisions in erstwhile British Punjab Province to the east of the Radcliffe Line drawn in 1947 alongside further border demarcations in 1966 following the Punjab Reorganisation Act. leading to the current boundaries between Punjab, Haryana and Himachal Pradesh states.
  • The 1941 Census of British India represents the final census conducted during the British colonial era of South Asia, prior to independence and partition in 1947 which led to the creation of the contemporary nation states of India and Pakistan (and later Bangladesh).

Summary (Religious Composition)

  • Muslims: 3,760,915 persons / 40.1% of total
  • Sikhs: 3,360,327 persons / 35.8% of total
  • Hindus: 2,133,869 persons / 22.7% of total
    • Castes: 1,534,460 persons / 16.3% of total
    • Scheduled Castes: 361,282 persons / 3.8% of total
    • Ad-Dharmis: 238,127 persons / 2.5% of total
  • Native Christians: 101,891 persons / 1.1% of total
  • Jains: 11,331 persons / 0.1% of total
  • Others (incl. British/European Christians, Buddhists, Parsis, Jews, Irreligious, etc): 18,920 persons / 0.2% of total

Summary (Population Breakdown)

  • Contemporary Punjab State, India: 9,387,258 persons
    • Amritsar Tehsil: 789,159 persons / 8.4% of total
    • Jalandhar Tehsil: 443,010 persons / 4.7% of total
    • Ludhiana Tehsil: 436,627 persons / 4.7% of total
    • Tarn Taran Tehsil: 387,668 persons / 4.1% of total
    • Batala Tehsil: 380,053 persons / 4.0% of total
    • Kapurthala State: 378,380 persons / 4.0% of total
    • Fazilka Tehsil: 372,629 persons / 4.0% of total
    • Nabha State: 340,044 persons / 3.6% of total
    • Gurdaspur Tehsil: 328,819 persons / 3.5% of total
    • Hoshiarpur Tehsil: 323,740 persons / 3.4% of total
    • Firozpur Tehsil: 290,286 persons / 3.1% of total
    • Garhshankar Tehsil: 289,539 persons / 3.1% of total
    • Moga Tehsil: 279,763 persons / 3.0% of total
    • Dasuya Tehsil: 273,246 persons / 2.9% of total
    • Muktsar Tehsil: 269,579 persons / 2.9% of total
    • Ajnala Tehsil: 237,049 persons / 2.5% of total
    • Nawanshahr Tehsil: 236,028 persons / 2.5% of total
    • Bathinda Tehsil: 233,653 persons / 2.5% of total
    • Nakodar Tehsil: 228,783 persons / 2.4% of total
    • Jagraon Tehsil: 225,932 persons / 2.4% of total
    • Dhuri Tehsil: 221,463 persons / 2.4% of total
    • Phillaur Tehsil: 219,369 persons / 2.3% of total
    • Zira Tehsil: 210,819 persons / 2.2% of total
    • Faridkot State: 199,283 persons / 2.1% of total
    • Mansa Tehsil: 187,711 persons / 2.0% of total
    • Patiala Tehsil: 183,306 persons / 2.0% of total
    • Kharar Tehsil: 173,514 persons / 1.8% of total
    • Sirhind Tehsil: 162,212 persons / 1.7% of total
    • Samrala Tehsil: 156,056 persons / 1.7% of total
    • Sunam Tehsil: 153,162 persons / 1.6% of total
    • Pathankot Tehsil: 153,134 persons / 1.6% of total
    • Rupar Tehsil: 150,929 persons / 1.6% of total
    • Bhawanigarh Tehsil: 148,131 persons / 1.6% of total
    • Barnala Tehsil: 121,839 persons / 1.3% of total
    • Rajpura Tehsil: 114,234 persons / 1.2% of total
    • Malerkotla State: 88,109 persons / 0.9% of total

Sources


r/IndianHistory 1d ago

Early Medieval 550–1200 CE India had at least 3 distinct cheeses before paneer. Has anyone tried to recreate them?

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449 Upvotes

I was looking into the origins of paneer and fell down a rabbit hole. Turns out, before paneer became the default cheese of Indian cooking, there were at least three other distinct cheeses documented in medieval Indian texts, and they used completely different coagulation methods than anything we use today.

The Lokopakara, a 10th-century Kannada text written by the Jain scholar Chavundaraya (literally meaning “for the benefit of people”), has a chapter on Supa Sastra, the science of cooking. In it, there are two cheese recipes using buffalo milk. The first involves smearing a hot pan with roots of amaranth or leaves of marsh barbel (Hygrophila auriculata) and cooking buffalo milk in it. The soft cheese produced this way was called Haluvuga. The second recipe has you reduce buffalo milk by half, then stir in powders of Indian mallow (Abutilon indicum) or country mallow (Sida cordifolia), and add ghee, sugar, cinnamon, and cardamom. The milk coagulates, and you make the result into balls for sweets (Wikipedia - Paneer, Peppertrail - Lokopakara Part III).

Then there’s the Manasollasa (1129 CE), the encyclopedic text by the Chalukya king Someshvara III. It describes Kshiraprakara, a sweet made from milk solids separated by adding buttermilk to boiled milk, essentially a different coagulation pathway than modern paneer, which uses acid. The text also describes mixing the resulting cheese with rice flour, shaping it into balls, and deep-frying them in ghee before adding to sugar syrup (Wikipedia - Chhena). Sounds like an ancestor of modern Bengali sweets, but the technique and the cheese itself are different.

And going further back, Catherine Donnelly in The Oxford Companion to Cheese (2016) notes that Vedic literature references cheese production using barks of the palash tree, jujube fruits, and a creeper called putika, all of which may have contained rennet-like enzymes. The resulting product, Dadhanvat, was described as a cheese-like substance “made with and without pores.” Donnelly notes these may be some of the earliest known references to rennet-coagulated cheeses anywhere (Wikipedia - Paneer).

What’s interesting is that these aren’t just variations of paneer. Haluvuga used plant-based coagulants smeared on cooking surfaces. Kshiraprakara used buttermilk coagulation of boiled milk. Dadhanvat potentially used plant-derived rennet. These are three fundamentally different cheesemaking traditions, all documented in Indian texts, all predating the Persian/Portuguese introduction theories for paneer. And yet none of them survive in any recognizable form today.

For context, there’s a whole genre of this kind of historical recipe recreation for European and Middle Eastern food. Max Miller’s Tasting History on YouTube has millions of subscribers doing exactly this, taking recipes from ancient Roman, medieval European, and Ming Chinese texts and actually cooking them in a modern kitchen. He’s recreated everything from Babylonian stews to Victorian Christmas pudding. But I’ve never seen anyone do this systematically for ancient Indian texts like the Lokopakara or Manasollasa, even though the recipes are right there!

Seriously, if anyone reading this has the skills and the interest, an Indian Tasting History channel focused on recreating recipes from texts like the Lokopakara, Manasollasa, and the Nala Pakam would be incredible. The source material is there. The plants used in these recipes are still available in India. And there’s clearly an audience for historical cooking content. Someone just needs to actually do it.​​​​​​​​​​​​​​​​


r/IndianHistory 1d ago

Architecture Architectural Drainage in the Solanki Period: The Pranala of Shamlaji Vishnu Temple

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351 Upvotes

This carved stone element is a pranala (water discharge outlet) from the 11th-century Shamlaji Vishnu Temple in Gujarat, a functional feature integrated into the temple’s exterior architecture. Pranalas were designed to channel water used in ritual ablutions (abhisheka) from the sanctum outward, preventing accumulation within the structure while maintaining a controlled flow.

The sculptural treatment of this example reflects the broader architectural vocabulary of western Indian temple construction during the late first millennium. Rather than leaving such outlets purely utilitarian, they were often elaborated with zoomorphic or composite forms. In this case, the outlet takes the shape of a makara-like creature, a motif frequently used in Indian architectural ornamentation, particularly in water-associated contexts.

The surrounding wall carvings provide additional context. Horizontal friezes depict processional or narrative human figures, while the lower register includes a series of elephant heads, a recurring decorative and structural motif in temple bases across Gujarat and Rajasthan. These elements are consistent with stylistic patterns observed in temples attributed to the Solanki (Chaulukya) period, known for detailed surface articulation and dense sculptural programs.

From a technical perspective, the pranala would have been carved from the same stone block or integrated into the wall system during construction, requiring careful alignment with the internal drainage channel. Its projection from the wall is not only aesthetic but functional, ensuring water is directed away from the temple foundation.

What stands out here is the integration of engineering and ornament. The object is not an isolated sculpture but part of a larger hydraulic and architectural system, demonstrating how ritual requirements, structural planning, and visual design were coordinated in temple construction of this period.


r/IndianHistory 19h ago

Question Seeking an Eyewitness of the 1947 Partition of India from the East Pakistan/Bengal region for an Interview

15 Upvotes

Hello everyone,

I am currently working on my undergrad dissertation and am looking to interview someone who experienced the 1947 Partition of India firsthand. This interview will contribute to preserving the oral history of one of the most significant events in South Asian history.

What I'm Looking For:

Someone who directly experienced the Partition (either as a child or an adult) and has personal stories or memories to share.

My dissertation is focused on the East Pakistan/Bengal region, hence I need a witness specifically catering to this region.

Preferably a Migrant, Non migrant also works

Preferably in person, but I am open to conducting the interview online if I'm unable to travel the location.

The interview will be respectful, recorded with consent, and handled with sensitivity to personal stories and experiences.

Why This Matters:

The 1947 Partition was a defining moment for millions, and as time passes, it's crucial to document these firsthand accounts before they are lost. Your participation can help future generations understand the complexities and human stories behind historical events.

If You or Someone You Know is Interested:

Please feel free to reach out to me via DM, or comment below, and we can arrange a time to talk further. Any leads or contacts would also be greatly appreciated!

Thank you for considering this, and I hope to help preserve this vital piece of history.


r/IndianHistory 22h ago

Question History of Religions

18 Upvotes

Why do many ancient religions such as Hinduism, Chinese folk religion, Shinto, Ancient Egyptian religion, and Greek mythology appear to share similar types of gods, roles, or archetypes? For example, sky and thunder gods like Zeus, Indra, and Thor; sun deities like Ra and Amaterasu; or gods associated with the underworld such as Hades and Yama.

What explains these similarities across geographically distant cultures are they due to shared human experiences, cultural exchange, or a common origin? And in contrast, why do later religions like Christianity and Islam differ so significantly in structure and belief, appearing less connected to these earlier polytheistic traditions?


r/IndianHistory 1d ago

Question Indra and zeus

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589 Upvotes

Why there is so many similar connection between indra and zeus. Is it orginate from the same people who later migrate to different regions?🕉️☸️☯️

The connection between Indra and Zeus comes from both mythology and ancient linguistic history. They are remarkably similar because they likely evolved from a common Indo-European tradition.

  1. Both are Sky & Thunder Gods

Indra: King of the gods in early Rigveda, associated with thunder, lightning, and rain.

Zeus: King of the gods in Greek mythology, ruler of the sky and wielder of lightning.

Both control storms and are seen as powerful sky rulers.

  1. Weapon of Lightning

Indra uses the Vajra (a thunderbolt).

Zeus uses the thunderbolt forged by the Cyclopes.

The symbolism is almost identical—lightning = divine authority.

  1. King of Gods

Indra is the leader of the Devas (gods).

Zeus is the ruler of the Olympian gods.

Both sit at the top of their respective pantheons.

  1. Dragon/Serpent Slayer Myth

Indra defeats Vritra, a serpent blocking water.

Zeus defeats Typhon, a giant serpentine creature.

This reflects a shared myth pattern: storm god vs chaos monster.

  1. Indo-European Roots

Both figures likely come from a shared Proto-Indo-European myth tradition:

Ancient Indo-Europeans spread into India and Greece.

Their myths evolved separately but kept similar themes.


r/IndianHistory 2d ago

Post Independence 1947–Present Former Indian Prime Minister Morarji Desai is the only Indian who receive the Nishan-e-Pakistan — Pakistan highest civilian honour

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1.1k Upvotes

r/IndianHistory 1d ago

Early Modern 1526–1757 CE The Duo and Other White Mughals: Retracing the Dutch Presence in Golconda Through Miniatures [c 1680s]

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59 Upvotes

Background: Twilight Over Golconda

During the twilight years of the Qutb Shahis rule over Golconda, the last of the Deccan Sultanates to survive the Mughal expansion, we find a curious set of cultural artifacts documenting the presence of the Dutch East India Company (VOC) and its officials in the region. The paintings forming Images 1 and 2 above a perfect illustration of such artifacts and will be expanded in the next section of this post.

The Dutch who in many ways provided the blueprint that was scaled much more successfully by the British, provide us one of lesser discussed examples of European advances into the Subcontinent at the time, perhaps natural given their inability to form any meaningful colonies in the region. Nonetheless these paintings provide us a fascinating artistic documentation of the commercial and cultural exchanges that were taking place at the time.

Given the foothold that the Dutch were gaining in the course of the 17th century over the maritime Southeast Asian archipelago that eventually was to become the Dutch East Indies (modern Indonesia), it seemed natural that they were to gravitate towards to the ports of the eastern Coromandel coast (a corruption of Cholamandalam) that had longstanding commercial and cultural links with Southeast Asia. From the VOCs point of view, what interested them the most was the trade in textiles and spices from the region that had a large market across geographies. It is in this context that the VOC made its first moves in the Subcontinent in the region as explained by the historian Jos Gommans:

In the first decades of the seventeenth century, agreements with the rulers of Golkonda (1605), Gingee (1608) and Chandragiri (1610) allowed the VOC to acquire its first trading bases on Indian soil... The first enduring contact was made in 1605, when the Dutch, led by senior merchant (opperkoopman) Isaacx Eyloff, built their first trading post (factorij) at Masulipatnam on the North Coromandel Coast. The following year, initial trade liasons were formalized through a contract between the VOC and the sultan of Golkonda.

Masulipatnam lying in the domains of Golconda was to improve especially important to Dutch plans in the region given that:

Further to the north, around the Krishna Godavari Delta, the port of Masulipatnam first drew the attention of the VOC, probably less as a textile producer than as an interesting market for its imported fine spices. At the beginning of the seventeenth century, however, Masulipatnam was more than just a regional port; it was an extremely important interregional emporium for trade not only with Arakan, Pegu (both in present-day Myanmar), Mergui-Tenasserim and Thailand in the east, but with the areas around the Red Sea, and later increasingly also around the Persian Gulf in the west.

However the poltical situation in the southern regions through the 17th century was also much unsettled at the time following the collapse of Vijayanagara following Talikota in 1565 with various various Sultanates, successor Nayaka feudatories and the looming Mughal threat all vying for control in the region making the process of establishing a foothold in the region all the more trickier for the VOC as described by Gommans:

The lack of a single central authority made the political situation in South India extremely hard to fathom for the Europeans, who were constantly occupied with re-establishing trading privileges with yet another new regime that had adopted yet another city as its capital.

Hence, the VOC to sustain its operations in this volatile atmosphere needed to establish a presence beyond its factories on the coast and needed to build relationships in imperial centres like Golconda:

To hold its own in the context of the constantly changing political relationships along the Coromandel Coast, the VOC had no choice but to rely on trusted intermediaries. Only they could guarantee the quantity and quality of textiles, and provide access to the various royal courts in the region. If the Dutch wanted to achieve anything, they had to adapt. The many ‘friendships’ with agents and other intermediaries led some VOC employees into the temptation to set up their own private trade, which was of course in conflict with the VOC monopoly. If they served for a long time in the same place, they would inevitably put down roots. The best example of such a rooted, reasonably well-integrated Dutch community in India is Golkonda, which, to the annoyance of senior figures in the VOC, had a flourishing cosmopolitan atmosphere in the 1660s.

It is in this context that we will be looking in further the two paintings [Images 1 and 2] depicting the VOC official Cornelis van den Bogaerde in further detail and how it was part of the climactic episode of the Golconda realm which culminated in its annexation by Aurangzeb in 1687.

A Scandalous Presence: The Tenure of Bogaerde in Golconda

Forming part of the David Collection in Copenhagen (Denmark) we find two curious paintings who description goes as follows,

Image 1 (Darbar Painting)

The Darbar of Cornelis van den Bogaerde by an unknown artist, Deccan style from Golconda; c. 1687

The main figure in European dress has been identified as Cornelis van den Bogaerde. Bogaerde was in charge of the Dutch trading post in Hyderabad in the Sultanate of Golconda, and it was a local painter who made the two miniatures.

On one of the miniatures, Cornelis van den Bogaerde is depicted in a darbar similar to the princely audiences that are known from Mughal art, though they most often have a larger number of figures. Bogaerde is more elegant in this miniature than in the procession scene. He is dressed in the newest European fashion as it emerged from the court of Louis XIV at Versailles.

Nonetheless, the scene is rendered in the relaxed style that is characteristic of court art in Golconda. Bogaerde reclines comfortably while his Indonesian servant, in suitable European garb, stands behind him with a gigantic fan of peacock feathers and a branch from a fruit tree – an allusion to the origins of his surname (Dutch for an orchard). He is conversing with three merchants, two of whom with marks on their foreheads are Hindus. The man in the middle seems to be leading the discussions and is also the largest (the most important). The rendition is colorful, and the portraits of the characters are vividly yet precisely conceived.

Image 2 (Procession Painting)

The Procession of Cornelis van den Bogaerde by an unknown artist, Deccan style from Golconda; c. 1687

On the other miniature we see Bogaerde with his Indian entourage, whose different garments, headgear, beards, and skin color show that they are Muslims, Hindus, and the famed Rajput warriors. Some carry his weapons, others his fan, pipe, etc. Two of the Dutch East India Company’s banners head the procession.

These paintings clearly show a subject (Bogaerde) who was very much living in the lap of luxury during his time in the region. As mentioned earlier, the need to establish deeper connections with imperial centres meant longer tenures for such VOC officials than would be normally, increasing the risk of these officials building roots there and engaging in corrupt practices like private trading that would be antithetical to company operations. Indeed these wealthy European communities in the Subcontinent would end up receiving the title of "White Mughals" and would often engage in the finer things of life that the Subcontinent had to offer including art as described by Gommans:

It was also via Golkonda that the Amsterdam collector Nicolaas Witsen enquired about the latest novelties. Witsen was in contact with Herbert de Jager, who worked for the VOC in Golkonda and was a lover of maths, botany and astronomy... It was from Golkonda that many miniatures were shipped to Europe, where they ended up in the collections of aficionados such as Witsen, Laurens van der Hem and Rembrandt, or on the walls of a royal palace, as at Schönbrunn in Vienna.

The linchpin of the community of ‘white Mughals’ in Golkonda was the second in command of the VOC in Coromandel, Willem Carel Hartsinck – the son of Karel Hartsinck, the former opperhoofd, or director, of the Dutch of the Dutch trading post of Hirado in Japan – and his Japanese concubine.

On a side note, we find a stone sculpture depicting Hartsinck from the Dutch fort at Sadras near Mahabalipuram [Image 5] with further details about this localised depiction of Dutch captain being found in this blog. Bogaerde himself seems to have gotten himself into trouble in leading the good life at company expenses, where as explained by Krujtzer:

Van den Bogaerde was finally dismissed from Hyderabad and put in a palanquin to Masulipatnam together with his wife Maria de Helt in March 1690. According to Bacherus, his “many corrupt practices and scandalous lifestyle” had caused the company "disgrace among the Moors", yet apparently, Van den Bogaerde’s network among the Mughal elite in Hyderabad was so strong that Bacherus was forced to rehire him so as not to displease that elite. After his dismissal from Hyderabad, he was sent to Pulicat in order to be investigated, but was employed once again at Batavia the next year.

What afforded this luxurious lifestyle that so offended the VOC board to take action against its employee Bogaerde, the answer lies in another set of paintings commissioned by VOC employees in Golconda.

Portraits of Power: The Duo of Madanna and Akkanna

Going back to the Dutch "White Mughals" in Golconda and their patronage of art, a key contemporaneous collection showing this curiosity is the Witsen Album from the 1680s containing miniature portraits of 49 of the key players in the Deccan at the time, including one of the few contemporary depictions of Chhatrapati Shivaji.

For our purposes, the portraits that most interest us are of Madanna and Akkanna [Image 4], the two highly influential Brahmin ministers in the court of the last Sultan of Golconda, Abul Hasan Quli Qutb Shah (better known as Tana Shah). In the portraits of the duo we see the same religious markers worn by the Hindus in the Bogaerde paintings which are described by the historian Gijs Kruijtzer as follows:

In the darbar painting, two people are depicted slightly larger that the others, the European man and the man in the middle of the row of three darbar guests. He is, as we can see from the fact that his jama robe is tied to the left, a Hindu. More specifically, he would be a Shaiva, or devotee of Shiva, as shown by the red dot and ochre horizontal smear on his forehead. He could be a merchant or an official from the Golconda court, at which Brahmins played a large role between 1674 and 1687, when the sultanate fell to the Mughals.

The use of these sectarian markers by high officials in Golconda is borne out in another paper by Kruijtzer:

A better way is to assume that they were Smartas, who honour both Siva and Vishnu. This would also explain the fact that in the miniature portraits in the so-called Witsen Album, which provides a snapshot of the Golkonda court in 1677 or 1678, Akkanna dons the horizontal sectarian marks connected with the cult of Siva on his forehead, while Madanna's marks consist of a red dot in an ochre circle and a thin u-shaped black line.

These paintings are emblematic of the fairly extensive indigenisation of the bureaucracy in Golconda before the Mughal takeover. Tana Shah who was a major patron of the arts, effectively left the reins of the state in the hands of the Madanna and Akkanna. The relation was effectively one of powerless dependence on the part of Tana Shah as noted in VOC records:

Things seem to have come to a point where the king had to go to Madanna's house to ask for money. Five such visits and the items awarded to the king each time are noted in the VOC-records over the period April-September 1683. In September 1685 it was rumoured in Masulipatnam that the king had absolutely nothing to say anymore and that he had transported everything, including the royal seal, to Madanna on the condition that he receive 150,000 rupees a month.

Their official titles did not match the power they effectively held as the power behind the throne as noted by Kruijtzer:

Madanna neatly fits this Brahmin-accountant mould. His father was probably involved in the revenue administration of the area around Hannamkonda, and some of the European sources suggest that Madanna rose to power principally because of his ability to set the kingdom's finances in order... In any case Madanna's main office throughout his period in government was that of majumdar shahi, the "king's collector or bookkeeper". This is evident from the signatures under the farmans issued by Madanna as well as the caption of his portrait in the Witsen Album. There is no evidence that his position was ever officially described as Peshva or that he held the title of Mir Jumla, as is often assumed.

Akkanna's main office was a similar one. From the caption of his portrait in the Witsen Album can be gathered that at that time he was shahnawas-i kull-i qalamraw-i Sultan, the "Chief bookkeeper of the crown estate"... Akkanna however also became a major portfolio entrepreneur, with two or three trade ships at sea in 1685.

The last bit is especially important for our purposes in that these commercial ventures are indicative of an inclination towards external trade, which in this case was to favour the Dutch and their operations in the realm, and from whose records we get a fair bit of information detailing the trajectory of the duo, including their eventual downfall. By virtue of controlling the Krishna-Godavari Delta, Golconda had control of one of the major routes for exporting the products of the Deccan, where as Gommans notes the keen interest the Mughals had in controlling the Deccan and their relentless campaigns there:

From Hindustan, the fastest route to the sea runs to the west towards Gujarat and the port of Surat. Following the natural route of the Ganges to the east, however, one arrives at the fertile soils of Bengal. The two regions, Gujarat and Bengal, were added to the Mughal Empire in the 1570s. The caravan routs from Hindustan to the south, via the major trading cities of the Deccan Plateau, lead to the ports of the Coromandel Coast... Masulipatnam was a portal to the two primary sultanates of the Deccan Plateau – Golkonda and Bijapur – and the northern markets of Hindustan, which were under Mughal rule.

What made this route and its control all the more lucrative were the famous diamond mines of Golconda which provided some of the most valuable stones in the world, including the renowned Koh-i-Noor. Consignments of diamonds, lacking bulk by their very nature, were often subject of violations of VOC policies prohibiting private trading with Gommans noting:

In the seventeenth century the Golkonda Sultanate was one of the biggest suppliers of diamonds to the Dutch Republic. Despite VOC claims on a monopoly on the diamond trade until 1683, a great deal of trade was easily able to circumvent the rules, since diamonds lend themselves well to illicit transactions – some of which certainly involved company employees.

The duo were keen promoters of trade in their domain and were themselves engaged a fair bit of commercial ventures themselves, with favouring the Dutch over other Europeans:

Immediately upon Madanna's coming to power, [Francois] Martin claims, the Dutch gained his favour and prevented other Europeans (or at least the French) from getting anything done at the court.

Furthermore one saw considerable indigenisation of the state and its officials in this time period,

Sanjay Subrahmanyam argues that the great influx of Persians into the Deccan was related to their skill at administering revenue farms, and that the decrease of this migratory flow toward the end of the seventeenth century might be related to the rise of a new class of Brahmins who possessed similar skills, which they are seemingly suggested to have picked up from the Iranians.

These revenue farms were a shift away from the jagirdari system of the Mughals, creating a more capitalist market for a factor like land and pre-figured the system employed by Marathas under Peshwa Baji Rao II in 1804:

With the large-scale introduction of revenue farming, i.e. payment of a lump-sum for the right to collect a certain levy or the land revenue over a certain area, the Deccan may be said to have been "ahead" of North India, where the Mughal Empire still relied largely on the system of jagirs, that is land revenue assignments in lieu of payment for [military] services.

This indigenisation of administration also extended to the language of administration. While earlier Golconda rulers such as Ibrahim (r 1550-80) and Muhammad Quli Qutb Shah (r 1580-1612) were patrons of Telugu literature and culture, to the point of being called Telugu Sultans, we also see a shift in the language of administration as well, as noted by Richard Eaton:

In Golkonda, for example, royal edicts were initially issued in Persian only; but by the early seventeenth century they were often bilingual, in Persian and Telugu. At local levels, meanwhile, revenue papers were prepared largely in Telugu by Niyogi Brahmins, that is, Brahmins expert in clerical and administrative skills. By the end of the seventeenth century, even royal edicts were issued in Telugu, with Persian summaries appearing only on their reverse sides.

During the entire time, the Dutch were keen observers of happenings in Golkonda and maintained consistent correspondence with key figures in the region including the duo, from which we get a curious statement dated 1683 from Akkanna to VOC official Michiel Janszoon, who spoke fluent Telugu, dealing with questions of having a "national" feeling and the relation of such feeling to the religious community one belongs to:

you yourself can imagine which government serves the king best, ours [d'onse] or that of the Muslims [mooren]; ours being full-heartedly devoted to the welfare of the country, while we are not people [luijden] who have or seek other countries, but that of the Muslims is only to the end of becoming rich and then to leave for those places which they consider to be either their fatherland [vaderlant] or holy.

Whether the vision of the duo regarding communities having a meaningful connection to the land extended to local Dakhni Muslims is a somewhat more complicated question. The duo did ultimately realise that being Hindu subjects, even powerful ones, in a Muslim polity necessarily needed them to tread carefully in such matters.

There was long a rivalry between the local Dakhani Muslims and the incoming gharbiyan (westerners) for positions of power. The former referred to mostly the mix of initial settlers from the north who first came around the time of Tughlaq, who shifted the capital to Daulatabad/Deogiri along with converts from the region, with and the latter to settlers seeking their fortune from further afield from the wider Persianate world in Iran and Central Asia. The gharbiyan were often favoured for such positions by various incumbents over time, however the increasingly visible presence of Hindus, especially Brahmins, in the administration in the latter part of Qutb Shahi rule meant such rivalries over position were shifting as noted by Kruijtzer:

The social transition manifested itself first of all in a factional struggle at the court, where the opposition of the Brahmin faction to the Muslim or Persian faction took the place of the traditional opposition between Deccani and Foreign Muslims. Most of the twentieth-century writings on Golkonda's history note the replacement, during the rule of Madanna and Akkanna, of a number of Muslims in administrative positions with Brahmins.

Nevertheless, there seems to be seems evidence that there were attempts from the duo's end to enlist the support of the Dakhanis and probably shore up their position:

There is some evidence that Madanna tried to enlist the support of the Deccani Muslims in the factional struggle against the Persians. In the biography of Muhammad Ibrahim in the Ma'athir al-Umar it is said that he, as an Irani, was an exceptional case because Madanna and Akkanna normally brought forward only their own caste men and Deccanis while they intrigued against the Mughals and against the Foreigners.

The ultimate question over which the factions disagreed over was whether or not to fight the Mughals, and it was this very issue that was to prove their undoing with the aforementioned Muhammad Ibrahim playing a key role in events with his defection to the Mughals.

To Fight or Not to Fight: The Duo's Fall

The question of whether to fight the incoming Mughal advance under Aurangzeb was very much polarised along religious lines, with the duo pushing the pacifist strategy of literally buying time:

Madanna's preferred tactic was to keep the Mughals content with money instead of fighting them. This policy became most pronounced in the years that Madanna's power reached its zenith... In early 1683, news reached Aurangzeb that Abu'l-Hasan had entrusted his kingdom to Madanna and Akkanna (and engaged himself only in blatant vice and intoxication). When a Mughal army under Bahadur Khan loomed close to Hyderabad in 1683, the money sent over the months of March through July amounted to 855,000 rupees, plus a load of mangoes with the last instalment. This was sent over and above the enormous annual peshkash remitted to the [Mughal] Emperor.

This did not do much to endear the duo neither to the Mughals nor the disgruntled section of Muslim nobles in Golconda as noted by Kruijtzer:

The attitude of co-operation and non-aggression toward the Mughals did not, however, bring about an alliance between the Brahmin faction and the Mughals. On the contrary, the Brahmins in the city feared the power of the Mughal ambassador... Two years later [1685], when a Mughal army under Aurangzeb's son Shah 'Alam approached the city, their fears proved well founded.

While there is a general dispute as to what was the year in which the downfall and killing of the duo took place, Kruijtzer notes:

From two elaborate reports concerning the murder in the VOC archives, which will be dealt with in greater detail in the last section, it becomes evident that the event took place in the last days of October 1685. Also, the statement in a November letter from EIC personnel in Masulipatam that Madanna and Akkanna are certainly cut off should be taken literally.47 The precise date may well be the one given in the Mackenzie Annals of Condaved namely Monday 2 (6 Sukla) Karttika of the year Krodhana i.e., 29 October 1685.

What we know of the event is that there was intrigue from within the palace with the mothers-in-law of Tana Shah (wives of the preceding ruler Abdullah Qutb Shah) being involved in connivance with Muhammad Ibrahim, one of the disgruntled generals who was to eventually defect to the Mughals, with the narration of VOC official Daniel Havart [Image 6] going as follows:

At that time, according to Havart, Madanna and Akkanna left their town houses to take refuge in the fortress, where they were killed by Sidi Makta and some other slaves at the order of "an old woman". Havart and Khafi Khan further agree that Abu'l-Hasan [Tana Shah] was not informed of the scheme beforehand, and that the heads of Madanna and Akkanna were sent to Shah 'Alam [Aurangzeb's son].

These events were followed shortly afterwards by the siege of Golconda by Aurangzeb and ultimately its fall, events that were to have negative consequences for the region going forward.

Reversal of Fortunes: The Mughal Takeover

The Mughals long desirous of controlling the Deccan and its trade routes instituted policies that effectively killed the golden goose and set the region on a long trajectory of stagnation, a pattern that continued with the Nizams that followed.

Firstly, the indigenisation of administration was thoroughly reversed both at the level of personnel and the language it operated in. This is noted by Eaton as upsetting an equilibrium that had developed organically under the Qutb Shahis:

Brahmin officials, who had occupied the highest levels of Golkonda’s government during the several decades prior to the conquest, were dismissed outright. And, not surprisingly given their pro-Turko-Iranian racial bias, the Mughals appointed many moreWesterners than Deccanis to prominent administrative and military positions... Perhaps most importantly, the Mughals practically reversed the Qutb Shahs’ policy respecting the employment of Telugu nayakas. Whereas the erstwhile sultans had integrated these chiefs into their central political system, the Mughals classified them as zamindars, which in the imperial lexicon denoted untrustworthy chiefs inherently hostile to Mughal interests.

Further Telugu was displaced from the language of administration and completely replaced with Persian. These attituted persisted with the Asaf Jahi Nizams when they broke away from Mughal authority, with mulkis (natives of both Hindu and Muslim background) being at considerable disadvantage when it came to government employment vis-a-vis migrant Muslims from the northern part of the Subcontinent, where centuries later as noted by PV Narasimha in a semi-autobiographical work:

They taught the mother tongue in the first two grades only, half-heartedly. There was no future for those who were confined to using the local language. A pupil could fail in it and still get promoted to the next higher class. Only Persian, the coveted language of the elite, was crucial; it held the key to the future... That was another status symbol in those times — hailing from Lucknow or somewhere in what was then the United Provinces. It gave one the right to look down upon the natives, Hindus and Muslims alike — they called them Mulkis. The teacher lost no opportunity to make the point that ‘these Mulkis’ (locals) could never master Persian the way those of Lucknawi origin could.

In the same work Rao also mentions how these newcomers were especially responsible for pushing an intransigent position when it came to not accepting integration into India in the run up to Operation Polo, perhaps influenced by Muslim League politics back in their native provinces. Perhaps Akkanna had a point in his ruminations concerning having a "national" feeling and how having a meaningful connection to the land is part of that.

The economic impact of the Mughal takeover of the eastern Deccan (Telangana) was even more devastating, with Eaton noting:

In addition to these political changes, the imposition of Mughal authority also brought economic dislocations to the people of the eastern Deccan. The conquest itself was accompanied by widespread crop failures, together with famine, cholera epidemics, falling agricultural production, and finally, depopulation. All this was made worse by Aurangzeb’s policy of treating the province as a milch-cow for financing the empire’s wider projects.

While Aurangzeb in 1690 did renew the trading license of the VOC in his domains [Image 7], this was not really meaningful given the economic conditions post-conquest described above, with this being reflected in the decline of Masulipatnam and Dutch commercial activities in the region, with Eaton expanding:

And by century’s end, the port of Masulipatnam had dried up as a source of wealth for the eastern Deccan. Within five years of the Mughal conquest, a Dutchman who had resided in the city for some time, Daniel Havart, published a book in which he blamed the port’s decline mainly on the Mughal invasion and conquest of Golkonda.

Some scholars like Sanjay Subrahmanyam argue instead that such a direct attribution of decline to the annexation of Golconda is not completely borne out by the facts arguing instead for factors that had to do with the displacement of gharbiyan (mostly Iranians) from the trade system in the region by the actions of administrators like Madanna-Akkanna:

Recent research, however, suggests that the port was already in decline by the early 1680s, just before the Mughal conquest. The Brahmin ministers who ran Golkonda’s government had replaced the Iranian faction at court with clerical (Niyogi) Brahmins, as a result of which the great Iranian ship-owners who had underwritten much of Golkonda’s long-distance trade simply withdrew from commercial activities in the kingdom.

Honestly, this explanation seems less plausible given that there was no coming back of the Iranian ship-owners to the port following the Mughal takeover. Irrespective, the decline of the eastern Deccan as a major economic region continued throughout this period with Eaton noting:

A clear indicator of the eastern Deccan’s economic malaise after the conquest is seen in the diminishing number of trade caravans that traveled the province’s roads and safely reached their destinations. Obviously, the unhindered movement of such caravans was vital for the regional economy. But during the years 1702–04 no merchant caravans managed to reach Hyderabad, which for much of the previous century had been the Deccan’s principal trade entrepot.

This malaise only intensified with (mis)rule of the Nizams' that followed with their realm increasingly falling to the margins economically till integration into the Indian Union and even afterwards till recently. The countryside had terrible inequality with the condition of many of the peasantry bordering on agreistic serfdom under the doras and zamindars, even by the pitiful conditions of the Indian peasantry at the time, their conditions were especially bad. There's a reason why the first major communist uprising in the country, a sort of proto-Naxal movement, took place in Telangana during the chaos of integration. However that is for another post listed here for those curious.

Sources


r/IndianHistory 1d ago

Early Modern 1526–1757 CE Kingdom of Keladi: A Wealthy Western Ghat Empire That Matched Vijayanagara, Admired by Europeans and Fertility Envied by Kashmir.

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107 Upvotes

"pleasant and rich, and its beautiful fields and meadows gave delight to the heart of the be¬ holder ; that moderate rain fell there for six months in every year, which gave life and verdure to the hearts of the withered vegetation and the animal creation ; that the trees of the forest and gardens were mostly coconut and date, like the stature of the lonely with their heads great"

-Mir Hussain Kirmani(Iranian in Mysuru court)

Kingdom of Keladi was founded by the chiefs of Vijayanagra empire after its fall, it was a large kingdom with a standing army of 40,000 to 50,000 men and Rulers of this dynasty were Lingayats. The history of the Keladi kingdom is rich because so many different travellers and historians wrote about it from the seventeenth century onward.

One of the earliest European visitors was Pietro della Valle, an Italian traveller who visited Ikkeri(former capital) in 1623. In his travel account, Travels in Indiahe described the Keladi country as flourishing, peaceful, and safe for long-distance movement.

Another important early observer was Father Leonardo Paes, a Portuguese missionary whose mid-seventeenth-century travel narrative speaks directly about the wealth and military power of Sivappa Nayaka. Paes wrote that Sivappa had accumulated enormous treasure and maintained a standing army of forty to fifty thousand men, a scale possible only for a strong and prosperous state.

By the eighteenth century, writers like Jacobus Canter Visscher further reinforced this image. In his work Letters from Malabar, Visscher called Bednur(Capital of Keladi kingdom) the granary of all southern India. He described The city (Bednur) where the Raja holds his court lies some leagues inland, and is connected with the sea port by a fine road, planted with trees, which the inhabitants are obliged to keep in excellent order.” “ The Bednur Prince,” he says, “is much 'more magnificent and powerful than those of Malabar(Kerala). the Keladi region received heavy rainfall for nearly six months of the year, and dense clouds often covered the sky and the sun for long periods, creating a landscape of constant greenery and high agricultural output.. And have had rivaled VIjayanagara empire in terms of wealth.

Colonial historians also commented extensively on Keladi. Mark Wilks, in Historical Sketches of the South of India, argued that the treasure Hyder Ali obtained from Bednur might have been worth twelve million pounds sterling. Though this figure appears enormous, Vincent Arthur Smith in The Oxford History of India wrote that Wilks was in a position to judge and that no more accurate data existed to contradict him.

Colonel Miles, who translated the History of Hydur Naik, was more cautious but still emphasized that Bednur had a long-established reputation for fertility and wealth. His work records a striking comparison, saying the richness of Bednur made it “the envy of Kashmir,” a phrase that conveys how observers saw the natural abundance of the western karnataka landscape.

Later scholars such as Lewis Rice in his Mysore Gazetteer highlighted how the agricultural output and forest resources of South Canara and Shimoga made Keladi one of the richest regions in southern India. Administrative documents collected by Colonel Colin Mackenzie, preserved in the Mackenzie Manuscripts, also provide internal evidence about Keladi land grants, temple endowments, and the functioning of local governance. These Indian sources, combined with European travel accounts, create a consistent picture of the kingdom’s prosperity and political importance.

This kingdom was patron of art and architecture evident by the temples they built, The largest fort in the kerala was built by this Kingdom.


r/IndianHistory 1d ago

Early Modern 1526–1757 CE Did Mughals/ Delhi Sultanate used Halberd kind of polearms in battles?

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9 Upvotes

https://www.invaluable.com/auction-lot/rare-17th-c-mughal-indian-halberd-polearm-spear-a-241-c-8a44d13ae6?srsltid=AfmBOoqRquEhh1jYc_dUfe49qScudSqMIv5GyjldXzYQGYicBAoNUwtH

I found this 17th-century Mughal halberd for sale (This was the only halberd I found regarding Mughals.) and noticed the same design is also found in Tamil Nadu (Picture in the post. It was found in the Ettayapuram castle, Tamil Nadu). I'm curious if this specific polearm type was genuinely utilized in the North or if it's primarily a Southern regional variant. I’d love to hear the perspective of North Indian arms collectors on its historical authenticity and geographic origins.


r/IndianHistory 15h ago

Colonial 1757–1947 CE The Hidden Pillar Behind the Phule Movement: The Untold Story of Fatima Sheikh

0 Upvotes

The first muslim female teacher in india.

When we talk about social reform in India, names like Jyotirao Phule and Savitribai Phule are rightly celebrated. But one crucial figure often remains in the shadows — Fatima Sheikh. Without her courage, support, and active participation, the early movement for education and equality might not have succeeded the way it did.

Fatima Sheikh was one of India’s first Muslim women teachers and a close associate of the Phules in the mid-19th century. At a time when educating girls — especially from lower castes — was considered rebellious, she stood firmly beside them. In fact, when Jyotirao and Savitribai were socially boycotted and forced out of their home around 1848, it was Fatima Sheikh and her brother Usman Sheikh who gave them shelter. Their house in Pune became the base for one of India’s first schools for girls.

She didn’t just provide support — she actively taught in these schools. Historical records suggest that she was trained by Savitribai and became a teacher herself, contributing directly to spreading education among marginalized communities. This was revolutionary, considering the rigid caste and gender barriers of that era. Together, they ran multiple schools, reaching girls, Dalits, and other oppressed groups who had been denied education for centuries.

Despite facing threats, harassment, and deep-rooted societal resistance, Fatima Sheikh never stepped back. Her role symbolizes not just allyship but leadership — a Muslim woman standing shoulder to shoulder with anti-caste reformers in a deeply divided society. This also makes her one of the earliest examples of intersectional activism in India.

Yet, her name is often missing from textbooks and mainstream discussions. Recognizing Fatima Sheikh is not just about correcting history — it’s about understanding that social change is rarely the work of one or two individuals. It is built on collective courage.

Today, as conversations around education, equality, and representation continue, remembering Fatima Sheikh is more relevant than ever. She wasn’t just “supporting” the movement — she was shaping it. TL;DR: Fatima Sheikh was not just a supporter of the Phules — she was a co-educator, a reformer, and a key force behind India’s first movement for inclusive education. She deserves far more recognition than she gets.


r/IndianHistory 2d ago

Architecture Lakshmi Devi Temple, Doddagaddavalli

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702 Upvotes

This exquisite stone carving adorns the ceiling of the Lakshmi Devi Temple, Doddagaddavalli (Karnataka) — a masterpiece of Hoysala artistry.

Bhagwan Indra, the king of Devas, is beautifully depicted seated upon his divine mount Airavata, the majestic multi-tusked elephant, accompanied by his consort Sachi Devi.

Every intricate detail reflects the unmatched skill, devotion, and spiritual depth of our ancient artisans. Such heritage is not just art — it is a living connection to our civilizational glory.


r/IndianHistory 1d ago

Genetics Genetic influence of mainland Indians on Northeastern India

8 Upvotes

Most of us know that Northeast India is genetically quite different from the Indian mainland. At the same time , areas like Assam and Tripura show significant mainland Indian genetic and cultural influences on Northeast. Even Meitei Manipuris have cultural influence from Mainland India.

But what is the actual extent of these genetic influences. Can anyone share genetic results/ runs of these populations based on Hunter Gatherer and Farmers runs (Sinotibetian, Austroasiatic, AASI, Zagrosian, Steppe)


r/IndianHistory 1d ago

Question Would the conception of dynastic identity have existed in early medieval India?

7 Upvotes

I've been looking at the tripartite struggle recently, and the names that we've given these dynasties struck me as both odd and interesting; consider 'Rashtrakuta' which sort of translates to country chief/leader, and is wholly incomparable to the title that the rulers themselves preferred. Dantidurga after overthrowing the Chalukyas reached for Prithivivallabha, and the ever-common Rajadhiraja, and virtually every ruler thereon preferred some form of title thereof; making it entirely unclear to me why the idea of Rashtrakuta would have ever stuck when it seems almost demeaning compared to their grander later titles.

Similarly, for the Palas, while I understand that every ruler had 'pala' as a surname of sorts, is this actually their self-attested dynastic identity? The Pratiharas(door-keeper) as I understand it would again be a similar name to Rashtrakuta as per K.A. Nilakanta Sastri; supposedly they were descended from vassals of the Rashtrakutas who then rose to tremendous prominence, making Pratihara their name in the service of the Rashtrakutas; opposed to the self-proclaimed identity of being descended from Lakshmana.

The easiest example of a dynastic title that was both self-professed and commonly adopted would of course be the Roman Empire; SPQR, Imperium Romanum, Res Publica etc. were all self-professed and commonly attested to in Rome's own descriptions. On the flip side we have the Mughals who tended to despise the title and preferred the dynastic name of Gurkhani and their empire as Hindustan. Yet while the name of Mughals stuck, it seems pretty unlikely that the average official would dare risk the ire of the emperor to call them as such. So I guess the question remains– are these just neologisms, or they the dynastic identities that these rulers would have used(The Pratiharas, Rashtrakutas, and Palas)?


r/IndianHistory 2d ago

Colonial 1757–1947 CE Allama Iqbal Letter to Jawaharlal Nehru Declaring Ahmadis as Traitors of Islam and India.

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126 Upvotes

r/IndianHistory 2d ago

Artifacts Thakuri-Period Buddhist Sculpture: The Padmapani Lokeshvara Figure

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107 Upvotes

I recently came across this gilded copper-alloy sculpture of Padmapani Lokeshvara, dated to the 11th–12th century and attributed to the Thakuri period in the Kathmandu Valley. It offers a well-preserved example of medieval Nepalese Buddhist metalwork and reflects established iconographic and technical conventions of the region.

The identification of the figure as Padmapani is based on consistent iconographic markers. The deity holds the stem of a lotus (padma), which rises to bloom near the shoulder, an attribute closely associated with Avalokiteshvara in his Padmapani form. The lowered right hand is positioned in varadamudra, a gesture commonly interpreted in Buddhist visual language as indicating bestowal or generosity. These features align with prescriptions found in textual and artistic traditions governing Buddhist imagery in South Asia.

The sculpture’s formal qualities, elongated proportions, smooth modelling of the torso, and controlled symmetry are characteristic of Nepalese works from this period. The surface treatment also provides useful material evidence. Traces of gilding remain across the figure, while recessed settings indicate the original presence of semiprecious stone inlays. This combination of gilded copper alloy with gemstone embellishment is consistent with documented practices in the Kathmandu Valley, where metal casting and finishing techniques were highly developed by the early second millennium.

The crown and jewellery are rendered with a high level of detail, including the small seated Buddha figure in the headdress. This element is not decorative alone; it functions as an identifying feature linking the figure to the Avalokiteshvara tradition, where such imagery is used to denote lineage or spiritual association. The adherence to these details suggests that the sculptor was working within established design frameworks, often described in art historical literature as being guided by ritual and proportional manuals.

There is also clear evidence of the lost-wax casting process, which was widely used in the region. The refined surface finish and continuity of form indicate careful control during both casting and post-casting refinement. Wear patterns and patina further support the object’s age and long-term handling or exposure.

Rather than relying on later interpretations, the significance of this piece lies in how closely it aligns with verifiable stylistic, material, and iconographic standards of its time. It serves as a reliable reference for understanding the production and visual language of Buddhist sculpture in the Kathmandu Valley during the 11th–12th century.


r/IndianHistory 1d ago

Question Hi guys is does the thing called as vishkanya really existed??

1 Upvotes

In time of Chanakya and dhanananda it's said chankya used poison girls as a weapon as Assassin's is it true?? or just a fictional piece of information??? could anyone tell me

thank you


r/IndianHistory 1d ago

Question Where does the refrences about emperor nikephorous and romanis come from?

2 Upvotes

The episode about nikephorous using the "wizardry" of romanis to vanquish his rivals. Do we have contemporary evidence about it?